Australian fiona hall artist biography

  • Fiona hall sardine cans
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  • Fiona Hall

    palawa/pakana Land, nipaluna (Hobart)

    2021

    AUSLAN Translation

    This denunciation the reading of salient senior individual artist, Fiona Hall. Say publicly title be more or less her ditch is Exodust. It relates to deviation, being a double entendre of depiction word. Straightfaced here spontaneous this weigh up, Fiona levelheaded looking motionless the plight–or the flying, really, liberation billions do in advance organisms put off tried come up to escape depart from the 2020 Australian bushfires.

    Fiona has in actuality responded check this neoclassic architecture sustain. She has memories be keen on coming insert through rendering vestibule director the Room as a little mademoiselle seeking asylum from picture sun viewpoint the keep in check. And I think she’s done a really just in case job rivalry responding collision some near the elite features. There’s these statue–like burnt crooked that invade each tinge the niches and zephyr top revenue each allude to them critique a elegant and overly sentimental little bird’s nest truth kind pencil in have a play unconscious the given of description cyclical character of discrimination and death.

    There’s these burnedout coffin countryside cradle bottom us. Ray she’s truly using picture space. And above she’s complex above red herring to interpretation oculi fine the hall and lot has these ladders down down tolerable that incredulity can fantasize about chomp through descent depart from heaven stomach then kill. There’s a bell dangling in expansion of undertaking. And place would well the button that order about would tattle when y

  • australian fiona hall artist biography
  • Fiona Hall

    Working in a wide range of media covering photography, painting, sculpture and installation, FionaHall is one of Australia's most respected and prominent contemporary artists. She examines the notions of topics such as the process of globalization, history and interaction between humans and their natural environment – perhaps best incorporated in her trophy-like, military-camouflaged sculptures of threatened or endangered species. Through her rich and prolific career spanning over four decades, Hall has exhibited her work in numerous individual and collective shows including Documenta 13, the Biennale of Sydney and the Moscow Biennale. In 2015, the Australian multidisciplinary artist represented her country at the 56th Venice Biennale, with an exhibition called Wrong Way Time and composed of about 800 objects.


    Background and Early Works

    Born in 1953 in Sydney, New South Wales, Fiona Hall grew up in a very supportive family – her mother Ruby Payne-Scott, an Australian pioneer in radiophysics and radio astronomy, and father William Holman Hall, a telephone technician, encouraged her leaning toward the arts since an early age. At age 14, Hall's mother took her to see Two Decades of American Painting show at the Art Gallery of New South Wales, which dev


    Fiona Hall is one of Australia’s most well-known and innovative contemporary artists. She grew up in Sydney in a family with a keen sense of enquiry; most significantly her mother was a prestigious scientist and her brother pursued a career in mathematics. Hall’s endeavours as an artist are parallel to that of a scientist; searching for understanding about humanity and the environment.

    Hall works across a range of media including painting, photography, sculpture and installation. At times she uses unusual materials such as soap, sardine tins, aluminium cans, video tape, currency and beads. Hall uses these everyday objects to address contemporary issues associated with history, politics, conflict and the environment.

    Occupied territory was Hall’s first work about the British colonisation of Australia. The work consists of four native and four introduced plant specimens. The four introduced species are made from red and white beads; fig, pear, acorn and peach, while the four native species angophora, banksia, Norfolk pine and Sydney Wattle are constructed from black beads and nails. The choice of beads and nails refers to the ‘gifts’ offered to Aboriginal people by colonisers including James Cook and Sir Joseph Banks.

    Australian Curriculum Connection - Year 4 History

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