Benedick blythe biography of abraham

  • Marie Blythe, a young orphan living in Hell's Gate, a northern Vermont town wholly owned by benevolent despot Abraham Benedict, at the turn of the century.
  • The document provides an overview of the stories of Abraham, Isaac, and Jacob in Genesis 12-36.
  • The Romanian count known as Dracula is summoned to London by Arthur Holmwood, a young Lord who is on the verge of being wed.

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    Dracula

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    The Patriarchs and The Covenant: The Story of Abraham

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    The document provides an overview of the stories of Abraham, Isaac, and Jacob in Genesis 12-36. It summarizes: 1) Abraham is called by God to leave his home and travel to Canaan, where he encounters challenges with his wife Sarah, nephew Lot, and the pharaoh of Egypt. He is promised many descendants but struggles with infertility. 2) Isaac's story receives little attention in Genesis, focusing on repeating stories of Abraham. 3) Jacob, whose name is later changed to Israel, has 12 sons who become the 12 tribes of Israel. He lives with his uncle Laban for 20 years, marrying his daughters and accumulating wealth before returning to Canaan.

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    0 ratings0% found this document useful (0 votes)
    173 views6 pages
    The document provides an overview of the stories of Abraham, Isaac, and Jacob in Genesis 12-36. It summarizes: 1) Abraham is called by God to leave his home and travel to Canaan, where he encounters challenges with his wife Sarah, nephew Lot, and the pharaoh of Egypt. He is promised many descendants but struggles with infe

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    Masterpiece Theatre: Dracula

    9-10:30 p.m., Sunday, Feb. 11
    KCET

    In true undead fashion, Dracula rises anew in this peculiar and superfluous new adaptation of the classic 1897 novel by Bram Stoker that we might call “From Transylvania, With Syphilis.” It changes many of the details that have long made Count Dracula such a horrific icon of literature, transforming him into something of a sexual predator who feasts on the blood of his victims for sustenance, yes, but also to satisfy some ambiguous carnal impulse. Not that this is entirely new. It just feels a bit overdone in a “Masterpiece Theatre” entry that carries all of the usual high-end trappings of the franchise: solid performances, rich production design, splendid costumes and sumptuous period detail. But even this classy moniker allows “Dracula” to get turned into a quick-cut piece of business seemingly framed for the short-attention-span crowd.

    It doesn’t help that our Count (Marc Warren) is plenty demonic but looks disturbing, like a more haggard edition of Fabio. As revised by scribe Stewart Harcourt in this version, the plot now finds him delivering syphilis directly into the bloodstreams of his prey. The Stoker novel is much more vague about what it is Drac does to turn

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