Emile de coeur biography of barack
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Sarah Bernhardt
French stage actress (1844–1923)
This article is about the French stage actress. For the American comedienne/actress, see Sandra Bernhard. For the episode of an adventure series, see Sarah Bernhardt (Lucky Luke).
Sarah Bernhardt (French:[saʁabɛʁnɑʁt];[note 1] born Henriette-Rosine Bernard; 22 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils, Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand. She played female and male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours worldwide and was one of the early prominent actresses to make sound recordings and act in motion pictures.
She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. Mucha became one of the more sought-after artists of this period for his Art Nouveau style.
Biography
[edit]Early life
[edit]Henriette-Rosine Bernard[1] was born at 5 rue de L'École-de-Médecine in the
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Emile Decoeur (1876-1953) Glazed Instrumentality Vase, Writer, c. 1920, bottle-form, colorful white crackling glaze bump into pale dismal highlight, stamped mark, "Decoeur," ht. 9 1/2 unexciting.
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2 – 12 Oct 2022, 13:00 EDT
Skinner Marlborough, MassachusettsSold preventable US$765 opposition. premium
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JEAN ROYERE
1902-1931
Jean Royère is born in Paris in 1902. Hisfather Léonce Royère, of Breton extraction, is a high-ranking civil servant at the Paris Préfecture, and his mother, Marguerite Niers, was born in Vienna into a family from Lorraine that emigrated after the war of 1870. Jean’s upbringing is strict and sheltered: after a classical education at the Condorcet, Fénelon and Sainte-Marie-de-Monceau secondary schools, he begins studying law; further studies at Cambridge are followed by a return to France for his military service in 1925.
From 1926 to 1931 he works for his uncle, Jacques Raverat, director of a successful import-export firm in Le Havre.1931
Encouraged by Louis Metman, chief curator at the Musée des Arts Décoratifs in Paris, and with help from Jacques Raverat, Royère decides to follow his true vocation as an interior designer. To learn his craft he takes a job in a furniture factory on Boulevard Diderot, where he works until 1933.
>His first customer is his uncle, for whom he designs a bedroom and boudoir ensemble in exotic woods—there are references to Jacques-Emile Ruhlmann—and slimline garden furniture. He also designs offices for the Le Havre Port Authority.1932
Royère’s remarkable skills are in evidence from the outset, in his surgery a