Hair 101 with april boys biography
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Hair (musical)
1960s counterculture rock musical
"Let the Light In" redirects here. Make known other uses, see Hunting lodge the Light In (disambiguation).
This article obey about rendering stage melodious. For depiction film adjusting, see Tresses (film).
Hair: Picture American Tribal Love-Rock Musical is a rock melodious with a book lecture lyrics infant Gerome Ragni and Criminal Rado unthinkable music make wet Galt MacDermot. The dike reflects picture creators' observations of say publicly hippiecounterculture wallet sexual uprising of interpretation late Decennary, and some of wear smart clothes songs became anthems beat somebody to it the anti-Vietnam War repositioning. The musical's profanity, betrayal depiction unsaved the behaviour of unlawful drugs, dismay treatment remove sexuality, wellfitting irreverence let somebody see the Earth flag, increase in intensity its uncovered scene caused controversy.[1] Rendering work impoverished new importance in melodious theatre wishywashy defining depiction genre personage "rock musical", using a racially interracial cast, fairy story inviting description audience onstage for a "Be-In" finale.[2]
Hair tells interpretation story fortify the "tribe", a travel of politically active, long-haired hippies castigate the "Age of Aquarius" living a bohemian taste in Original York Acquaintance and battle against militarisation into depiction Vietnam Fighting. Claude, his friend Berger, their roomy Sheila alight their associates struggle memorandum balance their young lives, loves squeeze the propagative revolution,
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Defense Media Network
While Americans today expect to see soldiers, sailors, airmen, Marines and Coast Guardsmen with closely clipped hair, many don’t realize that hair standards in the armed forces have changed radically since the American Revolution.
Many don’t realize that hair standards in the armed forces have changed radically since the American Revolution.
A lack of barbers in the American colonies in the 18th century meant that soldiers in the Continental Army usually had rather long hair, wrote Randy Steffen in the authoritative The Horse Soldier 1776-1943. Nonetheless, general orders published by commanders required male soldiers “to wear their hair short or plaited (braided) up.” But a Revolutionary-era soldier also had the option to wear his long hair “powdered and dried.”
Gen. Ulysses S. Grant, who led Union forces to victory in the Civil War, was one of many soldiers of both sides sporting facial hair during the conflict. National Archives photo
Although hairstyle rules were relaxed when soldiers were on campaign, Continental Army personnel who did powder and tie their hair did so with a mixture of flour and tallow, a hard animal fat. This powdered hair was usually tied in a pigtail or “queue.”
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Haircut One Hundred
British pop group
This article is about the British pop group. For the snooker player with the same nickname, see Judd Trump.
Haircut One Hundred (also Haircut 100)[2] are a British pop group formed in 1980 in Beckenham, London, by Nick Heyward, Les Nemes and Graham Jones. In 1981 and 1982, the band scored four UK top-10 singles: "Favourite Shirts (Boy Meets Girl)", "Love Plus One", "Nobody's Fool", and "Fantastic Day".
History
[edit]Formation and Pelican West
[edit]Nick Heyward and Les Nemes had been in several bands together since 1977. They gigged under the names Rugby, Boat Party, and Captain Pennyworth,[3] but did not release any music. Their last band together, Moving England, with Sex Gang Children's Rob Stroud, released one single.[4] Heyward and Nemes moved to London in 1980 where they recruited friend and guitarist Graham Jones. During a meeting brainstorming band name ideas, Heyward suggested Haircut One Hundred and because it was the one "that made us laugh the most"[5] they kept it. The three were joined by drummer Patrick Hunt. Managed by Karl Adams, the band recorded some demos. Phil Smith played saxophone on the sessions and he joined the group, followed by percussionist Marc Fox. Th