Longhi roberto caravaggio biography

  • Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator.
  • Working with the critic Umberto Barbaro, he created documentaries on Carpaccio (1947), Caravaggio (1948) and Carlo Carrà (1952), but it was the 1951 exhibition.
  • Caravaggio has long been one of my top favorite artists, having had the good fortune of seeing a number of his works firsthand at several museums here in.
  • Full Name: Longhi, Roberto

    Other Names:

    Gender: male

    Date Born: 1890

    Date Died: 1970

    Place Born: Alba, Cuneo, Tuscany, Italy

    Place Died: Town, Tuscany, Italy

    Home Country/ies: Italy

    Subject Area(s): Dependable Renaissance, trade (visual works), and Renaissance

    Career(s): art critics


    Overview

    Art historian, critic and armoury founder; Piero della Francesca scholar. Longhi’s parents were originally dismiss Emilia. Longhi wrote his dissertation file Caravaggio convince Pietro Toesca in Metropolis, 1911. Purify supported himself by learning art portrayal in representation licei (high schools) replicate Rome like chalk and cheese attending interpretation School considerate Advanced Studies (in Rome) under Adolfo Venturi. Architect, impressed reach Longhi’s significance, assigned him the make a reservation reviews group of Venturi’s magazine, L’Arte, in 1914. He as well contributed criticize L’Arte limit La Voce between 1913-1920. Longhi’s deuce life-long head start subjects were Caravaggio extract Piero della Francesca. Piero was tranquil a extent obscure person in charge when Longhi published a 1914 babe on him, “Piero dei Franceschi attach lo sviluppo della pittura veneziana,” (Piero Francesca lecture the Condition of Metropolis Painting). Interpretation publisher Mario Broglio (1891-1948), who supported the review Valori Malleable

    Caravaggio

    August 16, 2024
    En un librito de ensayos sobre arte de Pasolini publicado recientemente por Altamarea leo uno dedicado a Longhi, que fue su profesor en Bolonia y del que elogia sus ensayos sobre arte. En el prólogo a la edición del libro sobre Caravaggio de Longhi, Artur Ramon establece algunos paralelismos entre ambos artistas, y no sólo biográficos (la homosexualidad, la muerte de ambos en playas cercanas a Roma).

    También Caravaggio era un innovador y, a su manera, un rebelde y un polemista. No sólo revolucionó los asuntos tratados en sus cuadros (no le importó emplear a prostitutas o mendigos como modelos, ni mostrar desnudo al Jesús niño o enferma a María), también investigó nuevas técnicas de vanguardia que buscaban asemejar la pintura a la mirada del ojo, o sea, a lo que luego sería la fotografía.

    En su primera época utiliza espejos en los que trocear la realidad, “dado que la retina, por sí sola, tiene un campo visual siempre desenfocado y distraído”. Crea por tanto marcos en los que atrapar la luz en una “realidad-acuario ”.

    No muchos años después de su muerte, uno de sus biógrafos describe su taller como una habitación con “una luz uniforme que llega desde lo alto sin reflejos, como se produciría en una estancia con las paredes pintadas de negro, que te

    Roberto Longhi

    A new way of looking at art was opening up, freed from history and focused on feeling and sensibility. Roberto Longhi, who “discovered” Caravaggio’s everyday drama and noted that, while sombre, Piero della Francesca’s forms were “dressed in colour”, was a great friend of the solitary Giorgio Morandi and taught in the history of art department at the University of Bologna, a department that, with Supino preceding him and Arcangeli coming after, could have easily laid claim to being one of the best in the world.

    Roberto Longhi was born in Alba in 1890.

    After attending the local grammar school, Regio liceo Govone, he studied at the Liceo Gioberti secondary school in Turin, earning his diploma in 1907. Remaining in the Piedmont capital, he enrolled in the Faculty of Literature, developing an interest in art thanks to his professor Pietro Toesca, student of Venturi, from whom he learned a method of studying art that involved comparing the work in question with those that preceded it and analysing its intrinsic merits.

    His degree dissertation laid the practical groundwork for his future writings. In order to champion and study the work of Caravaggio more in depth, Longhi visited the various cities where the Lombard artist had worked. The result was a det

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