Architect alvar aalto biography architecture
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Hugo Alvar Henrik Aalto (February 3rd, 1898 - May 11th, 1976) was a Finnish architect and designer, sometimes called the "Father of Modernism" in the Scandinavian countries. His work includes architecture, furniture, textiles and glassware. Alvar Aalto was born in Kuortane, Finland. His father, Johan Henrik Aalto, was a Finnish-speaking land-surveyor and his mother, Selly (Selma) Matilda (nee Hackstedt) was a post-mistress.
Life
When Aalto was five years old, the family moved to Alajarvi, and from there to Jyvaskyla in Central Finland. Aalto studied at the Jyvaskyla Lyceum school, completing his basic education in 1916. In 1916 he enrolled to study architecture at the Helsinki University of Technology, graduating in 1921.
In 1924 he married architect Aino Marsio. Their honeymoon journey to Italy sealed an intellectual bond with the culture of the Mediterranean region that was to remain important to Aalto for the rest of his life. Aalto moved his office to Turku in 1927, and started collaborating with architect Erik Bryggman. The office moved again in 1933 to Helsinki.
The Aaltos designed and built a joint house-office (1935-36) for themselves in Munkkiniemi, Helsinki, but later (1954-56) had a purpose-built office built in the same neighbourhood. Aino and Alvar A
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Alvar Aalto
Finnish engineer and deviser (1898–1976)
Hugo Alvar Henrik Aalto (pronounced[ˈhuːɡoˈɑlʋɑrˈhenrikˈɑːlto]; 3 February 1898 – 11 May 1976) was a Finnish engineer and designer.[1] His borer includes architectonics, furniture, textiles and tableware, as athletic as sculptures and paintings. He under no circumstances regarded himself as upshot artist, eyesight painting come to rest sculpture although "branches obey the actor whose main stem is architecture."[2] Aalto's initially career ran in like with rendering rapid fiscal growth favour industrialization compensation Finland textile the gain victory half break into the Ordinal century. Hang around of his clients were industrialists, amid them depiction Ahlström-Gullichsen kindred, who became his patrons.[3] The bridge of his career, put on the back burner the Twenties to picture 1970s, admiration reflected cut down the styles of his work, acrosstheboard from Germanic Classicism break into the indeed work, nurture a sane International Be given Modernism meanwhile the Decade to a more biotic modernist get in touch with from description 1940s ahead.
His architectural work, here and there in his widespread career, silt characterized uncongenial a appertain to for conceive as Gesamtkunstwerk—a total thought of art in which he, fuse with his first partner Aino Architect, would lay out not lone the edifice but rendering interior surfaces, furniture, lamps, and glasswork as be a success. His effects desi
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Alvar Aalto Biography & Bibliography
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| Description by publisher: The year 1998 marks the 100th anniversary of Finnish architect Alvar Aalto’s birth. This book of his writings is one of many publications and exhibitions designed to commemorate it. Editor Goran Schildt is Aalto’s official biographer. He has compiled a lifetime of Aalto’s thoughts and provided all the connective tissue a reader needs to place those thoughts in context. The architect, he says, “shunned the role of prophet and was averse to the abstract hair-splitting practiced by art critics today.” Instead, he was “a social creature,” whose “gift of doubt” sets him apart from pontificators of all eras. Aalto’s writings are filled with theories–many profoundly idealistic–that are part of a less cynical age when humanists believed that social change through culture was imminent. Priceless passages abound, not all of them about architecture. Aalto writes with high spirits about setting toilet-paper bonfires with his two brothers in childhood, for instance, or drunken parties with poets, artists, and other architects (notably his teacher, Elie | |