Lhasa de sela biography channel
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Bohemian Rhapsody: The Incredible Life of the Late World-Music Singer Lhasa
As Fred Goodman makes clear in Why Lhasa de Sela Matters (University of Texas Press), the late world-music troubadour never made it easy on anyone. Start with her music. Lhasa (as she called herself professionally) was born and raised in America but became a one-stop global musician: Goodman accurately describes her blend of “Gypsy music and flamenco, Mexican rancheras, Americana and jazz, Portuguese fado, Middle Eastern pop songs, Russian lullabies,chanson française, and South American folk melodies.” A dramatic, exposed-nervous-system singer, she seemed to pour everything into a performance; it’s no surprise that she dabbled in fado, the emotive style of balladry that has been sung in Portugal for about 200 years.
If that wasn’t enough for some listeners to handle, Lhasa recorded many of those songs in Spanish or French, thus limiting her chances of breaking out in the States, and was unremittingly stubborn. She fled the music business at least once and shunned the “world music” tag that might have made her art more marketable. Sadly, she also didn’t make it easy on her own health. Diagnosed with near-stage-four breast cancer in 2008, she i
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A Work That Takes A Flick through At Reason Lhasa make longer Sela Matters
By Kerry Doole
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Fred Goodman | Why Lhasa de Sela Matters | University of Texas Press | November 2019 | 27 minutes (5,471 words)
A sorceress of the soul, the multi-lingual singer Lhasa de Sela captivated music fanatics around the world with her spellbinding songs and other-worldly performances. Yet ten years after her tragic death from breast cancer in Montreal at 37, America’s first world music chanteuse remains largely and inexplicably unknown here, an under-the-radar icon in her own country. Why Lhasa de Sela Matters, her first biography, charts Lhasa’s road to musical maturity. —Fred Goodman
The slowest nights for bars and clubs come early in the week, which is why many clubs are closed on Mondays, leaving Tuesday as the lightest night of the week. As a result, Lhasa de Sela didn’t waitress on Tuesdays. Instead, she found local Montreal bars that would let her sing a set a cappella. Wearing a black dress and a long knit hat, she cut a figure that was both striking and subdued.
Working on assorted standards and the Billie Holiday songs she loved, Lhasa was primarily focused on two tasks: overcoming her own shyness and learning how to hold a listener’s attention. She had a ways to go.
“It was like torture to sit in the audience,” says Lhasa’s sister Sky. “Everyone was talkin